My name is Konstantin Frolov.
I started drawing at a young age. At first, it was graffiti and hip-hop culture - bright colors against the background of gray cities. Over time, I moved deeper into pencil drawing, studying volume, light, and texture.
At 14, I discovered biomechanical art. That style had a major impact on me and largely shaped the way I see tattooing. I’ve always been drawn to the combination of mechanics and fantasy - recognizable forms mixed with something surreal.
After the army, I fully dedicated myself to tattooing. I worked in Saint Petersburg and Moscow, and later began traveling for guest spots across Europe. Traveling became an important part of my career - I enjoy working in different cities, meeting new people, and leaving my art in different parts of the world.
Today, I mainly focus on large-scale realism projects. Biomechanical work remains something special to me - I don’t create it for trends or money, but because I genuinely love the style.
Tattooing for me is more than just a profession. It’s a way to grow, to travel, and to create something truly powerful.
